Monday, October 7, 2024

The Killers Game 2024 review

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Language: English (ORG) / ESubs

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Over the years, several wrestlers have made the leap from the ring to the big screen, but few have shown as much versatility and screen presence as Dave Bautista. He has proven to be more than just an action star, displaying comedic chops in films like Guardians of the Galaxy and Glass Onion and delivering dramatic performances in Blade Runner 2049. Even in less memorable projects, such as My Spy, his charisma keeps you watching. Sadly, in the action-comedy The Killer’s Game, Bautista’s engaging presence is not enough to salvage what becomes a tiresome 100-minute bloodbath.

Bautista stars as Joe Flood, a veteran hitman based in Budapest with a strict moral code—he only kills those who "deserve" it. His mentor, Zvi (Ben Kingsley), adds gravitas to the role of handler, and Joe’s life seems to take a turn for the better when he meets Maize (Sofia Boutella), a dancer at a recital massacre, and falls in love. This newfound romance inspires Joe to quit his violent lifestyle. But his bliss is short-lived when he’s diagnosed with an incurable disease and given only three months to live. Not wanting Maize to witness his decline, Joe decides to take out a contract on himself. When Zvi refuses, Joe hires another handler, Marianna (Pom Klementieff), to do the job. However, when his doctor calls to reveal there’s been a lab mix-up and Joe is actually healthy, it’s too late—the contract is active, and Marianna is more than happy to carry it out.

This setup, where a character hires a hitman to kill themselves but later regrets it, has been done before in films like The Odd Job (1978) and Bulworth (1998). Unfortunately, screenwriters Rand Ravich and James Coyne, adapting a novel by Jay R. Bonansinga, fail to breathe new life into the concept. What follows is a series of repetitive action sequences in which Joe is hunted by increasingly eccentric assassins—from a duo of lesbian strippers to a K-pop group with deadly skills. These violent confrontations, intended to mimic the energetic carnage of John Wick, lack the visual flair or creativity needed to make them memorable. Director J.J. Perry (Day Shift) delivers lackluster fight scenes drenched in unconvincing CGI gore, making the film feel like a pale imitation of better action films.

Even in this uninspired environment, Bautista gives it his all. Despite the weak material, he remains committed to the role, demonstrating the range that has made him such an appealing presence in films like Dune and Knock at the Cabin. While it’s clear he’s aiming for something bigger, he still tries to elevate the film, making it slightly more tolerable than it would have been in lesser hands. Unfortunately, the rest of the cast isn’t as fortunate. Ben Kingsley phones in his performance, and Sofia Boutella’s character is reduced to the concerned girlfriend trope. Despite the buzz around the reunion of Bautista and his Guardians of the Galaxy co-star Pom Klementieff, they barely share any screen time, which is a disappointment.

In the end, The Killer’s Game is a dull and derivative action film, so generic that it feels like it was made to fill streaming algorithms rather than the big screen. It's unfortunate that a talent like Bautista is stuck in such a mediocre project, but hopefully, it will be quickly forgotten, leaving Bautista to find the roles he truly deserves. With any luck, by the time Bautista fully cements himself as a major movie star, this film will have faded from memory.

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