Synopsis: Rathnam follows a fiery young man with a deep-seated hatred for those who abuse women. When a nurse who reminds him of his mother is pursued by a ruthless gang, he embarks on a dangerous mission to protect her.
Review:
Rathnam (Vishal) is a troubled, impulsive enforcer for MLA Panneer
Selvam (Samuthirakani), using violence as his form of justice. Haunted by his
past, he struggles to suppress his aggressive nature. This is evident when he
gruesomely avenges a young girl's abuse. Enter Mallika (Priya Bhavani Shankar),
a nurse who resembles his late mother, complicating Rathnam’s already chaotic
life. As he steps in to protect her from Beema Rayudu (Murali Sharma), a
vicious land-grabber from Andhra, Rathnam embarks on a bloody rampage, leaving
a trail of destruction.
Directed by Hari, Rathnam is 90 minutes of non-stop action, with bursts of drama thrown in. The plot is thin and the characters aren’t deeply developed, but that’s not the film’s focus. Mallika’s involvement feels a bit contrived, and the decision for her family to risk their lives over a piece of land doesn’t hold up to much scrutiny. But the movie isn’t trying to be logical — it’s all about showcasing Vishal in his full action-hero glory.
The film feels bloated at times, with repetitive action sequences that could have been trimmed. Hari’s signature fast-paced, relentless style is present, but even by his standards, some scenes drag. The family drama at Mallika’s home slows things down and feels unnecessary.
Once you accept the over-the-top setup, the action becomes enjoyable. With knives, machetes, high-octane car chases, and an impressive single-shot sequence, there’s plenty to keep adrenaline junkies entertained. The villains’ pursuit of Mallika provides a reason for Vishal’s brutal takedowns, whether the fights take place in Tamil Nadu, Andhra, or even her college. At some point, you stop caring about logic and just enjoy the spectacle.
Vishal owns the screen as Rathnam, delivering an intense performance with a mix of agility and rough charisma. The editing and slow-motion shots amplify his fight scenes, making them slick and entertaining. Priya Bhavani Shankar, while mostly relegated to a damsel in distress role, does well within her limited scope. Samuthirakani’s authoritative presence complements Vishal’s chaotic energy, while Yogi Babu’s comedy has its moments but is hit or miss. Murali Sharma exudes menace as the villain, and Gautham Menon’s brief cameo surprisingly steals the show with the loudest cheers from the audience.
The music, composed by Devi Sri Prasad, is a mix of massy beats and emotional tracks, while M. Sukumar’s cinematography captures the fast-paced, high-energy feel of Hari’s direction.
In the end, Rathnam is a film for those who enjoy pure action without needing logic or depth. Vishal delivers, but don’t go in expecting anything more than a wild ride.
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