Synopsis: Yudhra (Siddhant Chaturvedi), burdened by a traumatic past, becomes a volatile young man with deep-seated anger issues. His brief moments of peace are with his childhood love, Nikhat (Malavika Mohanan). However, he soon finds himself entangled in the dangerous web of a drug cartel, leading him to a shocking revelation.
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Review: Siddhant Chaturvedi channels his inner MC Sher to play Yudhra, a fiery young man wrestling with unresolved daddy issues and a bizarre fondness for lizards. While his temper flares up easily, his heart is in the right place. Chaturvedi convincingly balances the intense action-hero persona, adding depth to his role despite his boyish charm. Though he might not look intimidating, his performance certainly packs a punch.
In this world of crime, Yudhra crosses paths with fierce enemies like drug lord Firoz (Raj Arjun) and his son Shafiq (Raghav Juyal). While Raj Arjun’s portrayal borders on over-the-top, Raghav Juyal stands out, solidifying his reputation as a compelling antagonist. Following his memorable turn in Kill, Juyal proves his versatility, bringing a captivating and unhinged energy to his role. Supporting characters like Ram Kapoor as a suspicious cop and Gajraj Rao as Yudhra’s father further add to the film’s intrigue.
The film’s standout feature is undoubtedly its action sequences. Choreographed by Nick Powell, famed for his work in Gladiator, the action is both gripping and inventive. The music store fight involving Siddhant, Malavika, and Raghav is one of Bollywood’s finest, while the bicycle parkour scene keeps you on edge. The intense action, beautifully integrated into the narrative, gives the film its backbone and provides a much-needed adrenaline rush.
Technically, the film shines. The cinematography, the moody atmosphere, and the distinct background score create a neurotic yet engaging world. However, where the film falters is in its storytelling. While the posters might suggest a gritty, old-school crime drama à la Vaastav, Yudhra is more modern and stylish. Unfortunately, the story lacks emotional depth, and the film struggles to match the intensity of its action with a meaningful plot.
The first half builds suspense, setting up the promise of a big twist, but the second half fizzles out, never fully delivering on its potential. This leaves the audience feeling let down, as the film fails to escalate to the tipping point it teases.
Director Ravi Udyawar makes effective use of action and violence, creating a "rage room" experience for viewers. The characters are well-developed, and the film’s pacing ensures there’s rarely a dull moment. However, the chemistry between Siddhant and Malavika is underwhelming, leaving their romantic subplot feeling flat.
Overall, while Yudhra excels in action and style, it misses the emotional core that could have made it truly great. As Bollywood dives deeper into the action genre with films like Bloody Daddy, Kill, and now Yudhra, one thing is clear: action needs heart, too.
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